Anthology of Essays by The Faculty of Dramatic Arts 32

 

ANTHOLOGY OF ESSAYS BY FACULTY OF DRAMATIC ARTS 32

UREDNIŠTVO / EDITORIAL BOARD: dr Mirjana Nikolić, red. prof. (glavni urednik); Svetozar Rapajić, profesor emeritus (odgovorni urednik); dr Nevena Daković, red. prof (kourednik); dr Divna Vuksanović, red. prof; dr Ivan Medenica, red. prof; dr Aleksandar Janković, vanr. prof; mr Boško Milin, red. prof; dr Enisa Uspenski, vanr. prof. Spoljni članovi: dr Dubravka Valić Nedeljković, red. prof, Filozofski fakultet u Novom Sadu; dr Vesna Perić, urednik Dramskog programa Radio Beograda.

UREDNIŠTVO IZ INOSTRANSTVA / INTERNATIONAL EDITORIAL BOARD: prof. dr Jožica Avbelj (Jožica Avbelj), Akademija za pozorište, radio, film i televiziju Univerziteta u Ljubljani, Slovenija; prof. dr Beatris Kobou (Beatrice Kobow), Univerzitet u Lajpcigu, Nemačka; mr Janko Ljumović, Fakultet dramskih umetnosti Cetinje, Crna Gora; prof. dr Zoran Milutinović, Univerzitetski koledž London, Velika Britanija; Masimo Navone (Massimo Navone), direktor pozorišne akademije „Paolo Grasi”, Milano, Italija; dr Betina Turi Osthajm (Bettina Turi Ostheim), Konzervatorijum – Univerzitet u Beču, Austrija; Martin Pančevski (Martin Pančevski), Fakultet dramskih umetnosti, Skoplje, Makedonija; prof. dr Snežina Tankovska (Snejina Tankovska), Nacionalna akademija pozorišne i filmske umetnosti, Sofija, Bugarska; prof. dr Margaret Tasi (Margaret Tasi), Zapadni univerzitet Temišvar, Rumunija.

ADRESS OF THE EDITORIAL BOARD: Faculty of Dramatic Arts, Institute of Theatre, Film, Radio and Television, Belgrade, Bulevar umetnosti 20

e-mail: institutfdu@yahoo.com

 

ANTHOLOGY OF ESSAYS BY FACULTY OF DRAMATIC ARTS 32

 

TABLE OF CONTENTS

I
FILM AND MEDIA STUDIES

Vuk Vuković - MEDIA CULTURE AND CIVILIZATION OF IMAGES: TOWARDS PRODUCTION OF CONTEXT

Miloš Milošević - FILM AND DREAM – THE PROBLEMATISATION OF THE USE OF THE ONIRIC METAPHOR IN RELATION THE FINDINGS OF NEUROSCIENCE

Ana Martinoli - FAKE NEWS – MEDIA PRODUCTION AND JOURNALISM CRISIS IN THE POST-TRUTH ERA

Aleksandar S. Janković - FABLES, REFLECTIONS AND NOCTURNES: BELGRADE NEW WAVE ON FILM

Nevena Daković - UJVIDEK RAID: THE DISSONANCE OF POSTMEMORY

Mirjana Nikolić - TV SHOW TREZOR AS A COLLECTOR OF COLLECTIVE AND INDIVIDUAL MEDIA MEMORIES

 

II
BALKAN CINEMA ON THE CROSSROADS
(Editor prof. Nevena Daković, PhD)

Aleksandra Milovanović, Mila Turajlić - BALKAN CINEMA ON THE CROSSROADS: EUROPEANIZATION VS. REGIONALIZATION

Deniz Bayrakdar - SPECTACLE MIRRORED IN TURKISH CINEMA: FAIRGROUNDS, CIRCUS AND THEATRE

Peter Kardjilov - CLOSE ENCOUNTERS OF THE THIRD KIND: THE ACTIVITIES OF SERBIAN OWNERS OF MOBILE CINEMATOGRAPHS AND FILM PRODUCERS IN BULGARIA DURING THE PERIOD OF EARLY CINEMA (1897–1914)

Marian Țuțui - THE FIRST BALKAN GENRE: FILMS ON OUTLAWS

Sanja Lazarević Radak - BEETWEN TWO WAVES: YUGOSLAV CINEMA AND CRISIS OF SOCIALISM (1975–1985)

Nemanja Zvijer - PARTISAN VERSUS „POSTPARTISAN” FILMS

Sandra Nikolic-Kyriakopoulou - HOLOCAUST AND TRAUMA IN GREEK CINEMA: MANOUSOS MANOUSAKIS’ OUZERI TSITSANIS (CLOUDY SUNDAY)

 

III
REVIEWS

Milena Dragićević Šešić: Prikaz knjige Radine Vučetić: Monopol na istinu – partija, kultura i cenzura u srbiji šezdesetih i sedamdesetih godina xx veka, Beograd: Klio, 2016